Titlebook: Evil Children in Religion, Literature, and Art; Eric Ziolkowski Book 2001 Eric Ziolkowski 2001

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gangrene

John Clubbe,Ernest J. Lovell Jr.ut by the impact of Samuel Butler’s (1835–1902) posthumously published novel . (1903) and, above all, by Freud’s hypothesis of infantile sexuality, which freed the assessment of the child’s nature from the impediments of both the myth of original sin and the myth of original innocence.

Salivary-Gland

Tidious

,Patristic and Medieval Views of 2 Kings 2.23—24, mockery. Tertullian (.. 160–220), that pioneering Christian theologian of North Africa, refers twice to the tale in his polemic . (., written 207–8). Separating justice and goodness, the heretic Marcion (d. 160) contended that the Old and New Testaments present two different gods: the judgmental, ‘

枕墊

Saline

Urchins Plaguing Saints,ary and artistic use, especially in the Christian hagiographical traditions and their accompanying iconographies. The saints were distinguished from the rest of humanity by their perceived holiness, and many of them, in their aura of difference, were deemed not only eccentric but condemnable by paga

Saline

發(fā)電機(jī)

Nineteenth-Century Antitypes,s Hegel rightly observed, was preceded by Jesus in exalting the child as norm.. And childhood was virtually hallowed by Romantic poets and theorists who came after Rousseau, most notably Blake, Wordsworth, and Coleridge in England, and Schiller and Novalis in Germany. Anticipated by both Jesus and R

原來(lái)

tariff

Conclusion,l boys motif recurred so persistently over the ages in literature and art? Certainly Jesus’ association of children with a humility worthy of heaven has held a dominant sway over Christian attitudes towards them over two millennia. His view accords with the earlier Hebrew notion that children are th