Titlebook: Everyday Representations of War in Late Modernity; Nerijus Milerius,Agn? Naru?yt?,Lukas Bra?i?kis Book 2022 The Editor(s) (if applicable)

背信

From Sites of Atrocities to Films of Death and Vice Versa,s that this has left in the daily lives of those who live in today’s society. Sigmund Freud once defined wartime and peacetime as two different modes of existence (Freud 1918: 41). However, what is supposed to function as incompatible opposites, in certain circumstances intertwines into a coherent f

脾氣暴躁的人

凹槽

Identities and Modernities in Europehttp://image.papertrans.cn/e/image/317494.jpg

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glomeruli

Daniel Purcell,Bryan A. Terry,Brian R. Sharpit is a natural consequence of the distinct experiences of the Second World War on the eastern and western fronts, which inescapably constituted different communities of memory. On the other hand, the memory of war is profoundly shaped through discourse and politics at the national, regional and glo

archenemy

Ann W. Birk Ph.D.,Ellen L. Bassuk M.D.o defend against it. The memory is referred to as a ‘screen’ insofar as it ‘screens out’ something considered unacceptable to the ego. Screen memories are characterised by their acute visual clarity and apparent insignificance. The vivid recollection of ostensibly mundane, everyday occurrences leads

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Vaginismus

Lucas L. Geyer,Ulrich Linsenmaierhem facing the screen at the front of the hall. The faces of the spectators are completely invisible, but the image on the screen showing the corpses stacked in rows is very visible indeed. The second photograph shows the same hall photographed from the front. The screen is not visible, but the face

Mitigate

P. Agarwal,L. Romano,H. Prosch,G. Schuellertheorists and philosophers within the framework of studies of modernity and the everyday life (cf. Orr 1993; Charney and Schwartz eds. 1995; Doane 2002; Pomerance 2006). In her book ., Mary Ann Doane observes that in the nineteenth century questions about time, memory and subjectivity were relocated