Titlebook: Eurovision and Australia; Interdisciplinary Pe Chris Hay,Jessica Carniel Book 2019 The Editor(s) (if applicable) and The Author(s), under e

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https://doi.org/10.1007/978-94-007-7981-5y accompanied by caffeinated drinks. This chapter considers how the live audience experience has changed in Australia with the shifting time of the broadcast, combining a historical survey of the ESC’s Australian reach with a thick description of the contemporary experience of Eurovision fandom from down under.

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Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia’ Eurovisw ‘Australian-ness’ is perceived by the general public. Content analysis is conducted on audience comments on media reports between 2014 and 2016. This provides insights into the normalised view of how ‘Australian’ is constructed and how indigeneity and Asian-ness is negotiated in contemporary Australian identity.

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