Titlebook: European and African Stereotypes in Twentieth-Century Fiction; Sarah L. Milbury-Steen Book 1980 Sarah L. Milbury-Steen 1980 Africa.African

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Origins of African Stereotypes in French Colonial Novelslished during the late nineteenth and early twentieth centuries. One important exception, however, is Count Arthur de Gobineau’s celebrated work ., which appeared between 1853 and 1855. This long treatise which most scholars, including Arendt, regard as the seminal point for the racism employed by i

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Stereotypes Contradicted: , and ut Africans. In addition their characters often display only those traits that counteract the pejorative ones popularly associated with Africans. In their most extreme form these works merely substitute positive caricatures of Africans for the more familiar negative ones.

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Stereotypes Transcended: , and ,!lmost exclusively around the unique personalities of their major African characters, their authors tend to be professional writers with a special talent for characterisation. Joyce Cary and Christine Gamier, in centring their novels . (1931) and .! (1951) on an exuberant office clerk and an introspe

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Stereotypes Preserved: , and demonstrate a similar but more subtle treatment of stereotypes. This difference in nuance seems to arise primarily from the pattern of ambivalence in the African image of Europeans, as well as the fact that they were written in the few years preceding and following independence.

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Conclusioners of the . culture. Although some authors, such as Southon and Joseph, perpetuate racist stereotypes for ethnocentric reasons, many elect to use them for artistic ones. In such instances stock images may function as they do in Achebe’s novel as a distancing device to underline the alienation betwe

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Stereotypes Transcended: , and ,!nt for characterisation. Joyce Cary and Christine Gamier, in centring their novels . (1931) and .! (1951) on an exuberant office clerk and an introspective maternity nurse, have created not only two of the most deeply human but also two of the most memorable characters in British and French colonial literature.