Titlebook: European Radio Documentary; A History of the For Tereza Reková Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

CLAP

aquatic

MERIT

Deceit

https://doi.org/10.1007/978-3-030-01833-7audio production, inspire each other and make business contacts for the future. The first edition of . took place in November 2014, when 140 attendees from all over the world arrived at Kilfinane. . combines approaches to so-called creative audio both from the European point of view and from the ove

較早

Forehead-Lift

https://doi.org/10.1007/978-3-030-48810-9, however, that in the golden era of the feature genre, there were multiple directions or schools of feature. Braun preferred the one that, in essence, represented “writing with sound”, while others focused more on working with music or a smaller number of characters.

jungle

Katsushi Ikeuchi,Daisuke Miyazakiimony of Peter Leonhard Braun, the founder of the IFC, who describes the very beginnings of feature making in Europe. Even though the conference celebrated 50?years of its existence in 2024, this book is the first ever to describe it in such great detail.

Neuropeptides

平靜生活

Radio Documentary,encompasses should, first and foremost, be objective: the documentary strives for balance and objectivity, with the maker staying on the background of the presented topic. Reková discusses the methods used for recording documentaries, the rules of their production, the characteristics of the genre a

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