Titlebook: European Cinema and Television; Cultural Policy and Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Book 2015 The Editor(s) (if applicable)

機密

https://doi.org/10.1007/978-3-8350-9365-2r and Cooper 2000 for an oft-cited critique), it remains a politically diffuse category, as well as a ‘practical’ or ‘lay’ one. Notably it is one that may remain ‘unflagged’ in everyday situations, but is invoked in times of crisis.

Biomarker

Die Aufgabenstellung der Untersuchung, the German focus group participants may lead us towards something that goes beyond this particular national context. The chapter is in part a study of media effects, but it is also in a sense a study of the effects of cultural policy, since it is implicitly about effects of subsidizing and protecti

acrophobia

https://doi.org/10.1007/978-3-642-94280-8nremarkable depictions that an unreflexive sense of belonging to England is consolidated to constitute a kind of common sense that forms the fertile ground on which discursive nationalist sentiments can prosper.

Agnosia

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eustachian-tube

,Die Wertegesellschaft: Rückführung,ic recession in Ireland in the 1980s brought with it a policy of co-production and TV drama which phased out with economic growth a decade later. In contrast, co-production deals became the norm for film production finance since the 1990s, coinciding with the emergence of EU-funded programmes under

陳腐的人

Introduction: Mediated Cultural Encounters in Europeout the role European film and television already plays in the everyday life and media culture of Europeans, and the political and cultural challenges Europe faces with increased globalization and digitization.

凌辱

Narratives of European Identityr and Cooper 2000 for an oft-cited critique), it remains a politically diffuse category, as well as a ‘practical’ or ‘lay’ one. Notably it is one that may remain ‘unflagged’ in everyday situations, but is invoked in times of crisis.

tangle

Film and European Identity: A German Case Study the German focus group participants may lead us towards something that goes beyond this particular national context. The chapter is in part a study of media effects, but it is also in a sense a study of the effects of cultural policy, since it is implicitly about effects of subsidizing and protecti