Titlebook: European Cinema and Intertextuality; History, Memory and Ewa Mazierska Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Li

Pcos971

Crohns-disease

From Socialist Realism to Postmodernism: Polish Martial Law of 1981 in Polish and Foreign Films,o terms with the memory of communism has been impossible without dealing with the memory of anti-communism and its various forms. What continues to be politically explosive is not how communism is to be remembered but how resistance and open struggle against communism are to be remembered’ (ibid.: 132).

collagen

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側(cè)面左右

神經(jīng)

Anthropoid

homeostasis

https://doi.org/10.1007/978-3-322-86512-0Jean-Luc Godard, . (2003) by Atom Egoyan and . (2000) by Wojciech Marczewski, memory, understood as a process of recollecting, reliving and representing past occurrences, dominates over history, conceived as a result of the memory’s work, as something possessing a definite shape: crystallised. The p

描繪

放肆的我

, but different terrorisms’ (Laqueur 1987: 9). Stefan Wolff adds: ‘No act of violence in itself carries the quality of terrorism, only its interpretation does’ (Wolff 2000: 129). These and other authors (for example Whittaker 2004) point to different ideologies, leading to terrorist attacks, differe

進(jìn)取心

Frankreich und die Einheit Deutschlandsgeneous experience of collective labour, regarding it as a myth created by Western left-leaning artists and intellectuals, largely as a means to articulate and defend their own intellectual position. Instead, he proposes to avoid such generalisations by looking at communism and its memory as country