Titlebook: European Cinema; An Introduction Jill Forbes,Sarah Street Textbook 2000Latest edition The Editor(s) (if applicable) and The Author(s) 2000

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Ossessionead been at war for three. In the summer of that year Mussolini’s fascist government would be overthrown and the country torn apart by civil war. In retrospect, it is perhaps surprising that at this point Italy still had a thriving film industry. It is estimated that in 1942 no less than 117 feature

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Carmenappealing to a wider European and international audience. It is a dance film, a showcase for ., a fusion of contemporary dance and flamenco. The main events in the film are the search for a principal dancer, followed by the rehearsals for a flamenco ballet based on the opera ., by the French compose

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Good Morning Babilonianation of a decade in which Italian cinema has re-established itself on the international scene. Films such as Giuseppe Tornatoré s . (., 1987) and Gabriele Salvatores’s . (1992) won Oscars for Best Foreign Film, and the established stars Sophia Loren and Marcello Mastroianni received similar Lifeti

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La hainee France, attracting large audiences and generating websites and electronic discussion groups — a success which is based on its ability to appeal to widely different audiences. Its subject-matter is parochial, but it addresses all those who live in large, cosmopolitan conurbations; it appeals to gen