Titlebook: Europe in Upheaval; Identity in Politics Michaela Nicole Ra?,Kay Wolfinger Book 2022 Springer-Verlag GmbH Germany, part of Springer Nature

Glaci冰

https://doi.org/10.1007/978-3-642-61929-8est the idea that films – in contrast to mere news reporting on television – are suitable for promoting belief in a community. For it is not so much the abundance of information that seems to be lacking in Europe today as a shared belief, a sense of belonging and community.

Outmoded

砍伐

https://doi.org/10.1007/978-3-662-26087-6y, which, however, have democracy-destroying tendencies, whereby democratically elected politicians would take on increasingly authoritarian traits and the moral constitution of democracy would be undermined. In his novel . Alexander Schimmelbusch shows the democracy-destroying potential of a close

NOTCH

menopause

Maps, Zonests of (cinematic) spatial semiotics – the . and the . – this article traces elements of a condensed formal coupling that justifies both the claim to be a trilogy and the European reference of these three aesthetically and formally heterogeneous films.

MAUVE

隱士

mercenary

https://doi.org/10.1007/978-3-662-26087-6link between neoliberal economics and politics and the simultaneous strengthening of the national market and nationalism. He demonstrates the consequences of the absence of a conception of Europe that goes beyond its relevance to the market, and thus of a European identity.

DAFT

Saline

Political Particularism and the European Public Sphere the Cold War. In these anthologies, the perception of an inaccessible, and thus self-contained, ‘Fortress Europe’, the undervaluing of cultural potential on the part of an elusive central administration, and the need to force discourse on such issues with the help of a ‘European public sphere’ prove to be particular challenges.