Titlebook: Ethno-Aesthetics of Surf in Florida; Surfing, Musicking, Anne Barjolin-Smith Book 2020 The Editor(s) (if applicable) and The Author(s), un

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ch as social and private identity marking, urban development.Ethno-aesthetics of Surf in Florida .discusses surf and music as glocal sociocultural constructs. Focusing on Florida‘s unexplored surfing culture, the book illustrates how musical experience begets representations about the world that hig

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https://doi.org/10.1007/978-3-642-91553-6in the second part of this book. It discusses the debated notion of authenticity to apprehend better identity issues linked to musical and lifestyle crossovers. In the last segment, the singular ethno-aesthetics of Floridian surfing is illustrated through what I call the surfanization of Cocoa Beach.

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Florida: Society and Culturestory of Florida in connection with its environment, the history of its migrations, and the structure of its society—essential to understand the advent and place of surfing in the state. This section provides a brief history of Floridian industries, including that of surfing, and highlights the paral

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Surfing Florida: History of an Underdogrelation to its environment, style, and culture. This chapter portrays Floridian surfing by describing how participants have committed themselves to the surf lifestyle, and how they have developed their own modes of expression through magazines, films, museums, and music. Florida’s singularity is il

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Model One: The Ultra-Marine Model of Cultural Hybridizationare meant to highlight how cultures circulate and are reconfigured to meet the needs of local populations, who appropriate them. This chapter starts with a preamble that defines the notions of localism and glocalization in surfing. An essential part of this chapter rationalizes the transposition of

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