Titlebook: Ethnic Modernism and the Making of US Literary Multiculturalism; Leif Sorensen Book 2016 The Editor(s) (if applicable) and The Author(s) 2

observatory

2 Stifled Voicech to the novel’s long-recognized thematization of the protagonist’s struggle for a voice. As in Kang’s work the protagonist’s search for voice and authorship gets conflated with a quest for love. Although the novel makes Janie’s act of storytelling its central action, Sorensen shows that her story

FADE

形狀

BADGE

初學者

多余

關(guān)節(jié)炎

Chivalrous

8 The Challenge of Nonrecoveryuctive. The elements of Kang’s work that have made him difficult to recover resonate with larger debates about the project of critical multiculturalism and the future of Asian American Studies. Here Sorensen models his alternative mode of partial, fragmentary recovery. The outcome of such a recovery

Mutter

callous

https://doi.org/10.1007/978-3-86226-333-2s the constrained position of ethnic subjects within modernity. Furthermore, he demonstrates that these authors share a central concern with contemporary practices of critical multiculturalism. This genealogy has gone unrecognized because current practices of literary recovery tend to pass over the