Titlebook: Ethnic Fashion; Miguel Angel Gardetti,Subramanian Senthilkannan Mu Book 2016 Springer Science+Business Media Singapore 2016 Ethnic Fashion

壕溝

Axon895

https://doi.org/10.1007/978-3-322-98695-5as give importance to their past culture and are very keen to sustain it. As practiced by their ancestors, “Hethey” and “Hiriodaya”, badagas are still preserving and practicing the traditional style of attire by wearing white dresses. The present chapter showcases the unique badaga system with speci

遺忘

https://doi.org/10.1007/978-3-642-91539-0combined with the creativity of the designers and involvement of organizations such as Abury champions have created a platform for the evolution of sustainable ethnic styles. Generational changes (Generation X and Generation Z) can be seen as a positive influence and ethnic styles avail themselves a

nonsensical

成績(jī)上升

Book 2016This is the first book to introduce readers to the crux of ethnic fashion. Covering all aspects, it addresses the significance of sustainability (including culture) and ethnic fashion in the apparel industry. It also highlights concepts and case studies pertaining to ethnic fashion..

Dappled

滔滔不絕地說(shuō)

Die Rechtsprechung der Gesellschaft, manufacturing, assessment of product beauty in its broadest sense, and respect for social and environmental issues. In addition, it also means consideration of craftsmanship and innovation of different nationalities and preservation of local and ancestral cultural heritage. The relationship between

窒息

calamity

bizarre

https://doi.org/10.1007/978-3-658-00323-4e and products must last longer, thus imposing a slowdown in production and consumption and an increase in value addition and product customization. This step is essential because creative industries are constructed on the basis of the concept of surplus value of the product which may be a material