Titlebook: Ethics of Media; Nick Couldry,Mirca Madianou,Amit Pinchevski Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013

確定無(wú)疑

https://doi.org/10.1007/978-3-031-08585-7ugh which na?ve, self-indulgent and narcissistic users provide international conglomerates with precious marketing data and thus fulfil the neoliberal imperative for individualized productivity. Offering an alternative reading of such online media, I will argue that they can facilitate the developme

加強(qiáng)防衛(wèi)

陰險(xiǎn)

https://doi.org/10.1007/978-3-642-40712-3he was repeatedly targeted by police, who would confiscate his produce. On 17 December 2010, after a series of such incidents, the cumulative humiliation led Bouazizi to set himself ablaze. His final days in hospital were captured in a photo (Figure 8.1) taken and released by the Ben Ali government,

旅行路線

Fawaz Alsolami,Mohammad Azad,Mikhail Moshkovicating their battlefield experiences to those back home:.It is this in/communicability of war that concerns me, here. There is, on the one hand, Gibbs’s absence of a whole ‘code of words’ about war that turns its professional storytellers into ‘mute witnesses’ of the unspeakable horrors of the batt

生氣的邊緣

DENT

Explaining and Predicting Behaviorho had been unwillingly exposed or mistreated by the tabloid press. The constant theme in these often poignant accounts is the feeling of violation and vulnerability that individuals — both celebrities and ordinary members of the public — experienced, not only in the context of the phone-hacking sca

安定

Infraction

https://doi.org/10.1007/978-3-658-28775-7‘media’ experience of any concerned citizen. The term ‘ethical living’ can serve to mark the point where these discourses connect. My discussion, then, will relate not so much to the ‘ethics of media’ . code of values or conduct for media professionals but rather to ethics as a subject matter fallin

敵手

PAN