Titlebook: Ethics and the Arts; Paul Macneill Book 2014 Springer Science+Business Media Dordrecht 2014 Aesthetics.Art.Bioethics.Dance.Ethics.Humaniti

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and ethics to be mutually challenged and changed in this meeting..The book is aimed at artists and students of the arts, who may be interested in approaching ethics and the arts in a new way. It is also aimed a978-94-017-7900-5978-94-017-8816-8

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https://doi.org/10.1007/978-1-4419-1280-0al, social or political issues. There were moral issues raised by the relationship between money and art as an enterprise, but few prominent artists who expressed moral issues in their work. Nevertheless there were notable exceptions, and throughout the twentieth century some artists continued to wo

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Classification Performance Evaluation,sts at the limits of representation, revealing there is more to the subject than can be contained by the image. Understanding photography in this way provides resources for constructing a mode of looking that maintains a form of otherness based on unknowability. Instead of turning the other into who

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,Modellselektion für Neuronale Netzwerke,oethical claims. In a sense, film might be viewed as a nexus where art, science, philosophy, behavioural sciences, and medicine join to enable and enrich our understanding. This chapter provides examples of how feature films and their specific scenes can be used to promote reflection on a variety of