Titlebook: Ethics and Form in Fantasy Literature; Tolkien, Rowling and Lykke Guanio-Uluru Book 2015 The Editor(s) (if applicable) and The Author(s) 20

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得罪人

Migratory

Ethics and Form in n situations of choice. The story arch of the whole series is considered, with a main focus on . (2007), where the battle between good and evil reaches its climax and resolution, and where the ethical communication of the implied author reaches a new level of complexity. While a relatively brief cha

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座右銘

Comparisons and Conclusionthat even as the texts share certain structural features, such as a quest structured as a moral test, a prophecy and the journey of a hero guided by ‘a(chǎn) wise old man’, their individual formulation of these features is encapsulated in markedly different ethical ‘visions’ that shape the rhetoric of the

禁止

禁止

Introduction J. K. Rowling’s . series, and Stephenie Meyer’s Twilight series makes their reflection (or refraction) of cultural values relevant to understanding contemporary Western society, and the persuasiveness of these texts suggests that their formative ethical influence is significant, perhaps globally.

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genesis

Ethics and Form in pter like this one cannot hope to do justice to the complexities developed in Rowling’s 3,500 page text, its aim is to develop a few significant points concerning the relationship between ethics and form in ..

Anticoagulants

Comparisons and Conclusion texts. Chapter 4 has further argued that there is a correlation between the central archetypal symbolism and the narratives’ form in both . and . — a correlation that is also linked to the ethical agenda of the respective narratives.