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Titlebook: Essays and Introductions; W. B. Yeats Book 1961 Palgrave Macmillan, a division of Macmillan Publishers Limited 1961 Britain.history of lit

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發(fā)表于 2025-3-21 19:32:36 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Essays and Introductions
編輯W. B. Yeats
視頻videohttp://file.papertrans.cn/316/315239/315239.mp4
叢書名稱The Collected Works of W.B. Yeats
圖書封面Titlebook: Essays and Introductions;  W. B. Yeats Book 1961 Palgrave Macmillan, a division of Macmillan Publishers Limited 1961 Britain.history of lit
出版日期Book 1961
關(guān)鍵詞Britain; history of literature; literature; nineteenth century; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-1-349-00618-2
isbn_softcover978-1-349-00620-5
isbn_ebook978-1-349-00618-2
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1961
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Springer Series on Couples and Healthch a time of scientific and political thought has brought into literature. This struggle has been going on for some years, but it has only just become strong enough to draw within itself the little inner world which alone seeks more than amusement in the arts.
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Fitness-for-Duty of Law Enforcement Officersods, or we have no part in eternity. Everything that can be seen, touched, measured, explained, understood, argued over, is to the imaginative artist nothing more than a means, for he belongs to the invisible life, and delivers its ever new and ever ancient revelation.
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The Happiest of the Poetsof the lover and of the saint are alike, and desire becomes wisdom without ceasing to be desire. He listens to the cry of the flesh till it becomes proud and passes beyond the world where some immense desire that the intellect cannot understand mixes with the desire for a body’s warmth and softness.
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At Stratford-On-Avonys, and the wise and foolish things men have said of them, in the library of the theatre, with its oak-panelled walls and leaded windows of tinted glass; or one rows by reedy banks and by old farmhouses, and by old churches among great trees.
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The Moodsods, or we have no part in eternity. Everything that can be seen, touched, measured, explained, understood, argued over, is to the imaginative artist nothing more than a means, for he belongs to the invisible life, and delivers its ever new and ever ancient revelation.
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