Titlebook: Error, Ambiguity, and Creativity; A Multidisciplinary Sita Popat,Sarah Whatley Book 2020 The Editor(s) (if applicable) and The Author(s) 2

反復(fù)無常

,Tactical Ambiguity: Materiality, Representation and Interaction in Evan Meaney’s Glitched Portraits and creativity. The essay homes in on materiality, representation and interaction to argue for ambiguity as key to developing user tactics, i.e. a critical stance towards the pervasive socio-digital condition.

里程碑

Ambiguity in Psychology, minds choose which of many possibilities is the most plausible is at the heart of understanding human behaviour, and gives us an insight into how and when ambiguity can be used to enhance creative problem-solving.

工作

不持續(xù)就爆

Perhaps This Cannot Be Anything (on Exercises in , and ,, Which Make Use of , in Processes of ,),hes. The results of these activities raise questions relating to a particular value of critical approaches within design and specifically in terms of the characteristics of outcomes that might result from such an enquiry.

Amorous

Error as Music Composition: Human and Material Agencies,ction will discuss several case studies from my own compositions in which error and ambiguity play a central role; (1) those that rely on the accuracy-gap between human and computer and (2) those that foreground a balancing act between human and material agencies.

一致性

Book 2020tch in arts practices that exploit errors in computer programmes, or even create programmes specifically to produce errors. Together, the chapters explore how error can take us somewhere different or somewhere new, to develop a new, more interestingway of working.?

Fester

s specifically to produce errors. Together, the chapters explore how error can take us somewhere different or somewhere new, to develop a new, more interestingway of working.?978-3-030-39757-9978-3-030-39755-5

誘導(dǎo)

NAG

patella

,Tactical Ambiguity: Materiality, Representation and Interaction in Evan Meaney’s Glitched Portraitstechnological dependence and disruption with art historical image readings informed by semiotics and phenomenology, applied in a qualitative case study on Evan Meaney’s video installation . (2008). The artwork consists of glitched recordings presented on the artist’s website, analysed together to ar