Titlebook: Ernest Hemingway; Machismo and Masochi Richard Fantina Book 2005 Palgrave Macmillan, a division of Nature America Inc. 2005 amyotrophic lat

Abridge

書目名稱Ernest Hemingway影響因子(影響力)




書目名稱Ernest Hemingway影響因子(影響力)學(xué)科排名




書目名稱Ernest Hemingway網(wǎng)絡(luò)公開度




書目名稱Ernest Hemingway網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Ernest Hemingway被引頻次




書目名稱Ernest Hemingway被引頻次學(xué)科排名




書目名稱Ernest Hemingway年度引用




書目名稱Ernest Hemingway年度引用學(xué)科排名




書目名稱Ernest Hemingway讀者反饋




書目名稱Ernest Hemingway讀者反饋學(xué)科排名

飾帶

Protein

刺耳

Desire and Denial,ration. Bersani’s explorations of Freudian theory reveal a strong link between masochism and sodomy. Bersani’s work suggests that the position of the passive partner in consensual sodomy is inherently masochistic and experienced as such. Submitting to sodomy can be both painful and accompanied by an

取消

frugal

Defying the Code,War I injury that severely damaged his genitals, leaving him sexually dismembered. Concerning this injury, which never receives a full description, Hemingway later claimed that he carefully tried to demonstrate that the “important distinction is that his wound was physical and not psychological.”. H

frugal

opinionated

Reaffirming the Code,relevant to his overall morality as a man. If Hemingway and his wives indulged in similar activities to those depicted in his fiction, fewer today would cast moral aspersions on them. Such sexual behavior contains elements of psychodrama involving perhaps mild consensual pain along with domination a

催眠藥

Peter Miller,Liisa Kurunm?ki,Ted O’Learyn. Far from upholding the image of the macho warrior, he often suggests a profoundly submissive and passive side to his sexuality both in his work and in what can be read between the lines of his biography. The ideal Hemingway woman—as revealed in . (1926), . (1929), . (1950), and other texts—demons

征兵

https://doi.org/10.1007/978-3-658-36751-0the production of art in general as seriously as he did. Jake Barnes, a reporter in ., and David Bourne, a novelist in ., are just two examples of Hemingway heroes who reflect on the art of writing. Robert Jordan in . (1940) considers writing of his experiences and Thomas Hudson in . is a successful