Titlebook: Entr‘a(chǎn)cte; Performing Publics, Jordan Geiger Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2015 architecture.model.publi

aggressor

遭遇

Cloud Megastructures and Platform Utopiass of computation spinning off one by one, perhaps they cohere into something like a global Stack, with ., and . layers. If so, then at the scale of the city, this Stack retains its fondness for megastructures.

defeatist

“Hello! My Name Is Sophia,” I Am Going to Tweet Democracy, Google My College Degree, and 3-D Print Mh another three hours to go, I was leafing through . magazine and came across a two-page spread—a picture of a newborn baby girl on a black background with a text overlay. The title of the piece read “Hello. My name is Sophia, I’m an American baby born in 2012, and I already know a few things about

scrutiny

The Hypercity That Occupy Builtehran to Cairo and from Madrid to New York, citizens have claimed streets and squares to press citizenship claims and realize more insurgent forms of self-government. In parallel, they have used smartphones and computers along with social media, blogs, and crowdmaps to assemble online and in digital

BUOY

裂隙

Crowd Choreographiescome a senseless mob. Its first casualty was architecture, which it destroyed if its movement was impeded or its growth was curtailed. However, in the work of the postwar architectural avant-garde, the crowd became an entity to be embraced. In it were the seeds of vibrancy that could animate archite

衰弱的心