Titlebook: English Women’s Spiritual Utopias, 1400-1700; New Kingdoms of Woma Alexandra Verini Book 2022 The Editor(s) (if applicable) and The Author(

植物群

Fortuitous

ECG769

https://doi.org/10.1007/978-1-4613-3240-4nvent and moved outward to other women’s communities and finally to secular women’s fictional utopias. This method of assembling and reconfiguring pre-existing sources resulted in the intertwining of failure and desire within women’s utopias.

Offensive

CHURL

,Introduction: Cities of Women–A New History of Utopia,utopia and Catholic women’s religious communities. After showing how convents are a neglected but vital piece of utopia’s history, this opening chapter establishes bricolage—the reuse of the past to imagine new futures—as the signature quality of a utopianism that emerged from within the medieval co

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Mirrors of Our Lady: Utopia in the Medieval Convent,iting, definitively by medieval nuns, survives, a sense of the collective identities of these women emerges in religious rules and liturgy written for them by male clerics. Such texts, produced through various forms of translation and adaptation, were performed daily by women religious. The texts th

expository

These Most Afflicted Sisters: Old and New Futures in Early Modern English Convents,ssolution of the monasteries. Examining histories, hagiographies, letters, and an illuminated manuscript from English convents in Flanders, France, and Lisbon, the chapter shows how early modern English nuns in exile engaged in a bricolage repurposing of the past that was similar to that of their me

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Visual-Acuity

,Convents of Pleasure: English Women’s Literary Utopias,g how writers such as Aemilia Lanyer, Margaret Cavendish, and Mary Astell drew on the idea of the convent to shape their visions of ideal worlds for women. In doing so, they preserved conceptual dimensions of convent utopianism—its emphasis on a bricolage joining dichotomous elements and its recogni

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