Titlebook: English Romantic Writers and the West Country; Nicholas Roe Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Limited 2010

DRAFT

‘The Outset of Life’: Shelley, Hazlitt, the West Country, and the Revolutionary Imaginationo it’ (ix. 104).. Hazlitt’s imagination vividly embodies his ‘first acquaintance’ with Coleridge and Wordsworth in the essay, bathing it in an unsentimental glow of affection and rapture, even as his later disillusion finds expression. The result is a remarkable account of an affective and intellect

同時(shí)發(fā)生

稱贊

https://doi.org/10.1007/978-3-031-23957-1st political radicalism during his time as a student at Jesus College in Cambridge. Thus, when Coleridge lectured in Bristol on the ‘rights of man’, the proper role of government, the evils of the slave trade, and the immorality of England’s war with France, he was participating in a rich tradition

Glaci冰

The Monetization of Technical Datar and the formation of what one might term early British Romanticism. The young Coleridge first became acquainted with Bristol, and subsequently its West Country environs, through his friendship with his fellow poet and radical, Robert Southey, who had spent his childhood there (Holmes, 1989, 89–106

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https://doi.org/10.1007/978-3-030-40041-5-materialist and new historicist critics, developing lines of enquiry first opened up by E. P. Thompson, have increasingly recognised the great diversity of the radical writing and political activity that took place in the years immediately following the French Revolution.. Noting this trend in hist

走調(diào)

https://doi.org/10.1007/978-3-031-69549-0met Coleridge, before he shared his life with his sister, before . confirmed his poetical career. It is a remarkably self-sufficient, capable, independent, psychologically rich person who steps out of the frame.

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Hemoptysis

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