Titlebook: English Language Poets in University College Cork, 1970–1980; Clíona Ní Ríordáin Book 2020 The Editor(s) (if applicable) and The Author(s)

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書目名稱English Language Poets in University College Cork, 1970–1980影響因子(影響力)




書目名稱English Language Poets in University College Cork, 1970–1980影響因子(影響力)學科排名




書目名稱English Language Poets in University College Cork, 1970–1980網(wǎng)絡公開度




書目名稱English Language Poets in University College Cork, 1970–1980網(wǎng)絡公開度學科排名




書目名稱English Language Poets in University College Cork, 1970–1980被引頻次




書目名稱English Language Poets in University College Cork, 1970–1980被引頻次學科排名




書目名稱English Language Poets in University College Cork, 1970–1980年度引用




書目名稱English Language Poets in University College Cork, 1970–1980年度引用學科排名




書目名稱English Language Poets in University College Cork, 1970–1980讀者反饋




書目名稱English Language Poets in University College Cork, 1970–1980讀者反饋學科排名

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A Terrace of Generations,heo Dorgan, Sean Dunne, Gerry Murphy, Thomas McCarthy, Gregory O’Donoghue, Maurice Riordan and discusses their . in Bourdieusian terms. The various venues for the practice of poetry in the Cork of 1970s are evoked, and attention is paid to student publications, notably in the journal .. Continuing c

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Journeys to the Past: Identities, Histories, and Myth,on the level of personal myth others on the level of provincial identity. It explores the way in which these poets and their immediate forerunners inscribed the place of the city of Cork into their poetry, highlighting the central influence of the poet Patrick Galvin on the generation under study.

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ll as archival materials.Represents the first study of the pThis book looks at a cohort of poets who studied at University College Cork during the 1970s and early 1980s. Based on extensive interviews and archival work, the book examines the notion that the poets form a “generation” in sociological t

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The Brindled Cats: Language and Translation, to the notion of self-translation, both real and imagined. The influence of John Montague in bringing European poets to Cork is studied. The Russian influence on the poets notably Seán Dunne is studied. The cohesive role of the Cork Translation Project 2005 is also examined.

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