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Titlebook: English Fiction and Drama of the Great War, 1918–39; John Onions Book 1990 John Onions 1990 drama.English.fiction

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發(fā)表于 2025-3-23 09:48:32 | 只看該作者
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發(fā)表于 2025-3-23 15:43:00 | 只看該作者
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發(fā)表于 2025-3-23 18:16:54 | 只看該作者
The Legal Status of the Caspian Seas. Both saw a great deal of the war: Tomlinson as a journalist; Mottram as an officer, serving first of all in the front line and then attached to the General Staff.. And both tried to create out of their experiences a necessarily grand piece of literature by which to comprehend the personal experience and historical significance of war.
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發(fā)表于 2025-3-24 01:18:44 | 只看該作者
Heroic Action,elves. Yet some examination can outline what sort of tradition the anti-war writers felt themselves to writing against. Two conclusions arise from this examination: the hero by 1914 was a social hero; but heroism was also seen as a defining mark of man (‘existential heroism’) and this idea was to survive the anti-heroic reaction of the twenties.
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發(fā)表于 2025-3-24 05:47:18 | 只看該作者
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發(fā)表于 2025-3-24 09:57:55 | 只看該作者
https://doi.org/10.1007/978-1-349-20620-9drama; English; fiction
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發(fā)表于 2025-3-24 10:50:52 | 只看該作者
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發(fā)表于 2025-3-24 21:41:25 | 只看該作者
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發(fā)表于 2025-3-25 00:55:53 | 只看該作者
https://doi.org/10.1007/978-94-011-9495-2arvest of war books, however, proved to be a large one of generally poor quality. Its weaknesses as realistic literature, which is what most of it aimed to be, are obvious enough: sensationalism, formlessness, poor characterisation and bad writing. The extent of these faults naturally varied, but on
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