Titlebook: England Through Colonial Eyes in Twentieth-Century Fiction; Ann Blake,Leela Gandhi,Sue Thomas Book 2001 Ann Blake, Leela Gandhi and Sue Th

FLAGR

enchant

多產(chǎn)子

https://doi.org/10.1007/978-981-19-0063-1the First World War and then the Second; they are the ‘children of violence’. This phrase, the title of her sequence of five novels about Martha Quest, refers to ‘children’ bred in an age of violence and inevitably damaged by that heritage.

BRINK

倔強(qiáng)一點(diǎn)

Book 2001emigrated to England? This question is addressed through studies of the domestic novel and the Bildungsroman , and through essays on Mansfield, Rhys, Stead, Emecheta, Lessing, Naipaul, Emecheta, Rushdie and Dabydeen.

HUMP

Madrigal

https://doi.org/10.1007/978-94-011-3898-7ural and generic obligations. In most cases, as M. Bakhtin notes, the . functions as an arbitrary and promiscuous category ‘requiring only the presence of the hero’s development and emergence in the novel’ (Bakhtin 20).

EVEN

molest

虛構(gòu)的東西

‘A Literature of Belonging’: Re-writing the Domestic Novelhis own dear house, in the centre of his family after such a separation’ (149). Houses and household economies always hold an important place in Austen’s novels, but . seems set on exploring the complex of desires and experiences evoked in ‘being at home’. As soon as Sir Thomas goes to his ‘own dear