Titlebook: Engaging Audiences; A Cognitive Approach Bruce McConachie Book 2008 Bruce McConachie 2008 attention.cognition.cognitive science.empathy.mem

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General Cognition for Theatre Audiences,or granted that spectators will usually pay attention to what is happening on the stage, that they will be able to understand the sounds coming out of the actors’ mouths as intelligible communication, and that they will know what they are seeing when they perceive inanimate objects as well as live a

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Social Cognition in Spectating,mmals, we carry these cognitive capabilities with us into theatrical viewing. As we will see, our social cognition builds upon and overlaps with the general cognitive processes examined in the previous chapter. In particular, the visuomotor representations mentioned previously provide spectators wit

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978-0-230-11673-3Bruce McConachie 2008

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Engaging Audiences978-0-230-61702-5Series ISSN 2945-7297 Series E-ISSN 2945-7300

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Symbolische Politik der Vereinten Nationenespeare’s history play, when several noblemen on stage throw down the gloves they wear (their “gages”) as a part of their armor to challenge the truthfulness of their opponents’ statements. If one nobleman picks up his challenger’s gage, his “honour’s pawn,” each must defend his good name in mortal

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