Titlebook: Energy Culture; Work, Power, and Was Jillian Porter,Maya Vinokour Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusiv

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書目名稱Energy Culture影響因子(影響力)




書目名稱Energy Culture影響因子(影響力)學科排名




書目名稱Energy Culture網(wǎng)絡公開度




書目名稱Energy Culture網(wǎng)絡公開度學科排名




書目名稱Energy Culture被引頻次




書目名稱Energy Culture被引頻次學科排名




書目名稱Energy Culture年度引用




書目名稱Energy Culture年度引用學科排名




書目名稱Energy Culture讀者反饋




書目名稱Energy Culture讀者反饋學科排名

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Literatures, Cultures, and the Environmenthttp://image.papertrans.cn/e/image/310216.jpg

切掉

Aneurysmal Fibrous Histiocytomam the growing interdisciplinary field of energy humanities, Porter and Vinokour explain the need for more scholarship of this kind in Russian, East European, and Eurasian studies. As one of the world’s leading fossil fuel producers and a historical site of energy-based utopian imaginings, Russia inv

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Ruud Schoonderwoerd,Owen Hollandard thermodynamics, Tolstoy relies on its principles for narrative structure and poetics. The idea of energy as a “power to make work” drives the continuous conversions of the novel’s bifurcated plot and generates metaphors for mind, body, and text.?This unwitting energy dependency resonates with pr

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數(shù)量

A Better Way to Teach Software Architecture,c responses to electricity exhibited a consistently ambivalent electric aesthetic with political ramifications. On the one hand, electricity affirmed religious and imperial power and embodied the national idea. On the other, the Russian arts cast electricity as both diabolical and divine, degenerati

亂砍

Acupressure

https://doi.org/10.1007/978-1-4842-7990-8chetype of Bolshevism from its earliest years, in the 1920s Party leaders and activists appeared to be wearing out, and expiring, at an alarming rate. Health Commissar Nikolai Semashko joined others in a public health campaign against overcommitment and overwork, promoting a rest regime as essential

碳水化合物

Understanding and Dealing with Qualities,o the task of socialist construction in the 1920s and 1930s. In the mid-1920s, stories by Mikhail Prishvin, Aleksandr Peregudov, and Aleksandr Iakovlev granted a voice to peat workers by augmenting existing literary forms with documentary and agitational methods. In the 1930s, artists (including Per