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Titlebook: End-of-Art Philosophy in Hegel, Nietzsche and Danto; Stephen Snyder Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 aesthet

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發(fā)表于 2025-3-21 17:24:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱End-of-Art Philosophy in Hegel, Nietzsche and Danto
編輯Stephen Snyder
視頻videohttp://file.papertrans.cn/310/309647/309647.mp4
概述Takes an original comparative approach to the end-of-art theories of some of philosophy‘s most renowned figures.Offers a radical new understanding of Danto‘s explosive end-of-art thesis through analys
圖書(shū)封面Titlebook: End-of-Art Philosophy in Hegel, Nietzsche and Danto;  Stephen Snyder Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 aesthet
描述This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill.? However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a th
出版日期Book 2018
關(guān)鍵詞aesthetics; postmodernism; end of art; Hegel; Nietzsche; Danto
版次1
doihttps://doi.org/10.1007/978-3-319-94072-4
isbn_softcover978-3-030-40506-9
isbn_ebook978-3-319-94072-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Danto and the End of Art: Surrendering to Unintelligibility,
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End-of-Art Philosophy in Hegel, Nietzsche and Danto
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End-of-Art Philosophy in Hegel, Nietzsche and Danto978-3-319-94072-4
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Book 2018certain standard of taste or skill.? However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and ma
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anding of Danto‘s explosive end-of-art thesis through analysThis book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill.? However, at a deeper level, it relates to a transform
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https://doi.org/10.1007/978-3-658-17632-7rnated in art is undertaken. The conclusion is that art’s alleged end is the result of reason’s transformation of the sensible.?Snyder illustrates how, if the dependence on the quasi-divine absolute is removed as the final telos of history’s movement, Hegel’s approach opens the way to a humanistic philosophy of culture and art.
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