Titlebook: Encounters with Popular Pasts; Cultural Heritage an Mike Robinson,Helaine Silverman Textbook 2015 Springer International Publishing Switzer

媒介

Perennial長(zhǎng)期的

Praxisorientiertes Dialog-Marketingge and small has proliferated significantly over the last two decades. This popular culture of commemoration makes intensive use of natural materials from flowers and trees to stones and water. Trees, in particular, are (re)symbolized through (re)appropriation for a contemporary popular culture of m

廣口瓶

es important details in the relationship between popular cul.This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage whose meanings and myths reshape social life and political and economic realities as well as re-make “tradition.”

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Konsequenzen und Schlussbemerkungen, others, and an attitude of placing these peoples and places out of time/modernity. Nonparodic guidebooks are compared to these parodic ones revealing that serious, nonfiction guidebooks have their own heritage tourism discourse.

植物茂盛

,Deploying Heritage to Solve Today’s Dilemmas: The Swedes of Rockford Illinois, Building on Yúdice’s framework of “culture-as-a resource,” this chapter explores these contemporary uses of heritage to address Rockford’s current economic dilemmas and discusses ways that this heritage is managed with respect to ethnic and racial boundaries that remain a part of the city’s landscape.

initiate

執(zhí)拗

Mechtild Krahl-Tümmler,Klaus-Peter Krahlthere, and fail to confront the fundamental question of what caused US expansion onto the Great Plains. While interesting in what they tell us about popular concerns, heritage enthusiasts at these forts often stand in the way of good historical narrative.

四海為家的人

Bibiana Grassinger,Christine Kühngrating popular culture as a way to inform tourists about history may prove problematic for some visitors, it may also help organizations attract new audiences and achieve long-term goals. We offer a brief history of Kensington Palace and then discuss the conceptualizations, strategies, and tactics that infused “Enchanted.”

depreciate

Praxisorientiertes Dialog-Marketingc commemorabilia, all in the context of past and present meanings accorded to trees as potent cultural symbols. I argue here that this rhetoric emerges from and simultaneously constructs, paradoxically, a meeting ground where popular cultures of memorialization, consumption, and “going green” converge.

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