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Titlebook: Enactive Cognition at the Edge of Sense-Making; Making Sense of Non- Massimiliano Cappuccio,Tom Froese Book 2014 Palgrave Macmillan, a divi

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樓主: Odious
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發(fā)表于 2025-3-23 10:20:58 | 只看該作者
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發(fā)表于 2025-3-23 17:08:34 | 只看該作者
Das Geld-, Rechnungs- und Steuerwesen,hat they share a core minimal structural common point, namely a broken time-dynamics, that is, the experience of a rupture in the time- embedded flowing continuity. Building such a common ground then allows us to situate the peculiar emotional component in both surprise and non-sense, guided by the
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發(fā)表于 2025-3-23 19:08:45 | 只看該作者
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發(fā)表于 2025-3-23 22:44:10 | 只看該作者
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發(fā)表于 2025-3-24 05:13:46 | 只看該作者
,Grundgleichungen der Str?mungsmechanik,king. Making sense in language is defined as a process of moving from stable, shared sense, through idiosyncratic non-sense, to a locally produced, co-available or interactively afforded sense. Enactive concepts of autonomy, autopoiesis, adaptivity, and precariousness imply radical idiosyncrasy in h
16#
發(fā)表于 2025-3-24 08:16:53 | 只看該作者
https://doi.org/10.1007/978-3-322-94254-8ar his extensive consideration of language in . .. Specifically Deleuze’s distinction between the nonsense of Lewis Carroll’s portmanteau creations and that of Antonin Artaud’s “transla- tion” of Carroll’s . highlights the need for an enactive, rather than merely embodied, approach to sense-making,
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發(fā)表于 2025-3-24 11:19:20 | 只看該作者
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發(fā)表于 2025-3-24 16:47:49 | 只看該作者
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發(fā)表于 2025-3-24 20:30:58 | 只看該作者
2946-2959 our goals and concerns. Researchers from a range of disciplines unite to address the challenge of how to account for the more uniquely human aspects of cognition, including the abstract and the nonsensical.978-1-349-47298-7978-1-137-36336-7Series ISSN 2946-2959 Series E-ISSN 2946-2967
20#
發(fā)表于 2025-3-25 00:50:22 | 只看該作者
https://doi.org/10.1007/978-3-322-94254-8d that of Antonin Artaud’s “transla- tion” of Carroll’s . highlights the need for an enactive, rather than merely embodied, approach to sense-making, particularly with regard to the general category of what Jakobson and Halle (1956) call “sound symbolism”.
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