Titlebook: Empire and the Gothic; The Politics of Genr Andrew Smith (Senior Lecturer in English),William Book 2003 Palgrave Macmillan, a division of

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Discovering Eastern Horrors: Beckford, Maturin and the Discourse of Travel Literature,s praise of the work, Byron implicitly underlines the importance of ‘realism’ in the handling of certain materials and sources as a criterion for the evaluation of literature. Indeed, Byron held literary ‘correctness’ in such importance that in 1817, in a letter to John Murray, he wrote that.Byron e

思鄉(xiāng)病

,Charlotte Dacre’s Postcolonial Moor,elf-designation as ‘slave’ is, at one level, a trace of his ironic participation in the discourse of Romance. Within that discourse, most men in Victoria’s orbit are, or ought to be, enslaved, as Zofloya’s deft use of the plural indicates. Those other men are not, however, of African descent; they d

Facet-Joints

,, and Devi’s Pterodactyl,ause it does not speak the language of feminist individualism that we have come to hail as the language of high feminism within English literature. Barbara Johnson’s brief study tries to rescue this recalcitrant text for the service of feminist autobiography.. Alternatively, George Levine reads . in

淡紫色花

visceral-fat

,A Singular Invasion: Revisiting the Postcoloniality of Bram Stoker’s ,, developments in literary psychoanalysis some forty years earlier. The rise of a postcolonial discourse within the field, though, in a sense makes problematic the boundaries and definitions which demarcate what it is to be textually, discursively Gothic, and also highlights the temporal consideratio

Ornament

漸強

adjacent

obscurity

Crossing Boundaries: the Revision of Gothic Paradigms in ,, tales of terror and persecution continue ‘to shadow the progress of modernity with counter-narratives displaying the underside of enlightenment and humanist values’. On the other side, they testify to the development of a complex genre which challenges dominant discourses ‘in diverse and ambiguous

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