Titlebook: Empathy, Sociality, and Personhood; Essays on Edith Stei Elisa Magrì,Dermot Moran Book 2017 Springer International Publishing AG, part of S

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,Editors’ Introduction,on problems concerning the nature of self, affectivity, and sociality. In this ., we aim at summarizing some important issues surrounding empathy before introducing Stein’s work and the relevance of her philosophical contribution as developed in the original essays collected in this volume.

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https://doi.org/10.1007/978-3-030-26314-0r philosophical development. Husserl’s phenomenology shaped her philosophical thinking. Despite embracing, in the twenties, a Christian metaphysics inspired by Thomas Aquinas, she continued to engage with phenonenology through the nineteen thirties, even writing a short review of Husserl’s . when it

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Melville and Ford: Ahab and the Dukeion. Upon closer inspection, though, it turns out that the topic of the unity of the person undergoes a noteworthy transformation there. The following study is guided by the thesis that the structure of personhood becomes fundamentally more dynamic so that the talk of “unity” requires a rethinking o

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Separating the Singer from the Song,s, . (1917) and . (1922), the paper focuses on the idea that emotions fulfil a cognitive function: they make us accessible the realm of values. The argument of the paper is developed in two sections. The first section offers an overview of Stein’s main theses about emotions, feelings, moods and sent

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https://doi.org/10.1057/9781137454270larify the role of imagination in empathy, with particular attention to the process of ‘centrally imagining’ what the other is experiencing. The argument is based on the comparison between Peter Goldie’s and Edith Stein’s accounts of empathy. As to the first point, I will show that Goldie’s rather s