Titlebook: Emotions and War; Medieval to Romantic Stephanie Downes (post-doctoral fellow),Andrew Lyn Book 2015 The Editor(s) (if applicable) and The A

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Loss Functions and Stochastic Approximation,onal experience.. They saw the newspapers as reproducing the overwhelming shock that the mechanization of war had inflicted upon the soldier’s sensorium, leaving audiences in a state of numb and apprehensive distraction, unable to draw upon or integrate their wartime experiences with any form of col

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https://doi.org/10.1057/9781137374073Battlefield; Civil War; Early Modern Literature; emotion; Erasmus of Rotterdam; Europe; European history; f

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Palgrave Studies in the History of Emotionshttp://image.papertrans.cn/e/image/308754.jpg

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Emotions and War978-1-137-37407-3Series ISSN 2946-5958 Series E-ISSN 2946-5966

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2946-5958 odern assumptions about the passions and feelings attending violent conflict in order to reveal the multifarious historical emotions and emotional histories of war.978-1-137-37407-3Series ISSN 2946-5958 Series E-ISSN 2946-5966

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https://doi.org/10.1007/978-94-009-9397-6ucer’s craft to claim Chaucer as the equal of the ancients:.The crucial role allotted to feeling, in tandem with the more expected imagination, is reinforced by Beaumont’s repetition of the word, made more present by its use as an adverb: