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Titlebook: Emotional Ethics of The Hunger Games; Tarja Laine Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

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發(fā)表于 2025-3-21 18:59:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Emotional Ethics of The Hunger Games
編輯Tarja Laine
視頻videohttp://file.papertrans.cn/309/308681/308681.mp4
概述Proposes that in The Hunger Games series emotions function as sources for ethical knowledge both within and beyond the film?s.Explores cinematic ethics with a strong emphasis on the film aesthetics th
叢書(shū)名稱Palgrave Film Studies and Philosophy
圖書(shū)封面Titlebook: Emotional Ethics of The Hunger Games;  Tarja Laine Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp
描述.Emotional Ethics of The Hunger Games.?expands the ‘ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in?.The Hunger Games.?films. It argues that emotions,?incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral?standards. As such they cultivate ethical?attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions?in a way that highlights their ethical?significance, running the gamut from fear?through guilt?and shame, to love, anger?and contempt. The central claim of the book is that these emotions?are symptomatic of some moral?conflict, which renders?.The Hunger Games.?franchise a meaningful commentary on the affective practice of cinematic ethics.?.‘’The Hunger Games.?movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses?.The Hunger Games.?as key texts for understanding our world, demonstrating that ethics do not origin
出版日期Book 2021
關(guān)鍵詞The Hunger Games; Cinematic ethics; Emotions; Film aesthetics; Film-philosophy
版次1
doihttps://doi.org/10.1007/978-3-030-67334-5
isbn_softcover978-3-030-67336-9
isbn_ebook978-3-030-67334-5Series ISSN 2946-5435 Series E-ISSN 2946-5443
issn_series 2946-5435
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 23:07:30 | 只看該作者
Surgical Management of Intersex in Childhoodtionships. But there is also a notion of authentic love as a form of resistance that is not merely reactive to power relations, but a positive action in its own terms, which renders the romantic story in . trilogy into a meaningful and complex reflection on the nature of love.
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發(fā)表于 2025-3-22 03:47:00 | 只看該作者
Ming-Han Tsai,Yhu-Chering Huangl relevance of . trilogy is based on the incorporation of emotional ethics in its aesthetic organization, which elevates it from mere young adult fiction into a triumphant celebration of cinema’s affective power.
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Conclusion,l relevance of . trilogy is based on the incorporation of emotional ethics in its aesthetic organization, which elevates it from mere young adult fiction into a triumphant celebration of cinema’s affective power.
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https://doi.org/10.1007/978-3-322-82661-9ns are incorporated in the thematic and aesthetic organization of these films, reflecting a crisis in moral standards, while cultivating ethical attitudes toward such phenomena as totalitarianism and the society of spectacle. The focus of the argument will be on cinematic aesthetics expressing emoti
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發(fā)表于 2025-3-23 06:51:11 | 只看該作者
Yun-Bo Zhao,Guo-Ping Liu,Yu Kang,Li Yuvideogame-like aesthetics that capture the subjective experience of fear in situations that are driven by survival motives. Second, the trilogy demonstrates a development from self-directed fear to other-directed fear at which point the ethical dimension of this ‘basic’ emotion starts to emerge. The
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