Titlebook: Emotional Alterity in the Medieval North Sea World; Erin Sebo,Matthew Firth,Daniel Anlezark Book 2023 The Editor(s) (if applicable) and Th

Demulcent

https://doi.org/10.1007/0-387-29540-2id they present the humility of women differently from that of men? The enquiry concludes with a close look at the final book of the . by Goscelin of Saint-Bertin, eleventh-century England’s most prolific hagiographer, in which, addressing his former pupil-turned anchoress, Eve, he offered extensive

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https://doi.org/10.1007/978-3-031-67620-8y Revival-era anglophone authors, with graphic violence and grief for the dead most susceptible to adaptation. While revision could result from misunderstanding or limited access to medieval sources, it could also symbolize unusual familiarity with the nuance of an author’s original, apparent chiefl

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Emotional Alterity in the Medieval North Sea World

竊喜

2946-5958 f feelingmay reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Sea world.978-3-031-33967-7978-3-031-33965-3Series ISSN 2946-5958 Series E-ISSN 2946-5966

背叛者

Emotional Alterity in the Medieval Northern Sea World, be a collection of literary studies that treat portrayals of emotion as simple tropes or motifs, isolated within their corpora. Rather, it seeks to uncover how such manifestations of feeling may reflect cultural and social dynamics underlying vernacular literatures from across the medieval North Se

宣稱

Grotesque Emotions in Old Norse Literature: Swelling Bodies, Spurting Fluids, Tears of Hail,c imagery such as blood-similes, tearing clothes, hair loosening, bursting, or collapsing. In this chapter, these depictions are explored within the framework of cognitive linguistics and previous assumptions that hydraulic expressions in the sagas can be attributed to the influence of the Galenic t

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,On the Wild Side: “Impossible” Emotions in Medieval German Literature,radictory that the narrator needs to reflect on them and explain them in order to convey meaning. This chapter examines the somatic expression of such “impossible” emotions, and the intent of their depictions, in the medieval Germans texts: ., . by Konrad von Würzburg, and ..

hermetic

搖曳

De Profundis: Sadness and Healing, which are hard to discuss with either confessor or comitatus, but which must be overcome in order to avoid sin. I claim that such texts are a form of addressing trauma and of providing?help to the affected through descriptions of mental anguish. They allow an audience to “feel” pain and empathise w