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Titlebook: Emily Dickinson; A Literary Life Linda Wagner-Martin Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 America.

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發(fā)表于 2025-3-21 16:54:58 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Emily Dickinson
副標(biāo)題A Literary Life
編輯Linda Wagner-Martin
視頻videohttp://file.papertrans.cn/309/308587/308587.mp4
概述A groundbreaking new study of Emily Dickinson, arguably one of the most-quoted American poets..The author makes use of new archival research, a great resource for researchers and readers of American l
叢書名稱Literary Lives
圖書封面Titlebook: Emily Dickinson; A Literary Life Linda Wagner-Martin Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 America.
描述With special attention to Emily Dickinson‘s growth into a poet, this literary biographical study charts Dickinson‘s hard-won brilliance as she worked, largely alone, to become the unique American woman writer of the nineteenth century.
出版日期Book 2013
關(guān)鍵詞America; poem; poet
版次1
doihttps://doi.org/10.1057/9781137033062
isbn_softcover978-1-349-44136-5
isbn_ebook978-1-137-03306-2Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

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Life Without Home, For the Last Time,in Boston, for a Physician’s Care—He does not let me go, yet I work in my Prison, and make Guests for myself.” It is this letter that speaks with sympathy of her dog, “Carlo did not come, because that he would die, in Jail, and the Mountains, I could not hold now …” (LII 431). Her word choice is viv
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The Painful Interim, Some of the mystery of Dickinson’s eye ailment may be explained in part by Lyndall Gordon’s contention that the illness that the poet had long experienced was epilepsy rather than consumption, and that some manifestations of the effects of light and brightness on the eyes could be connected with th
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,To Define “,”,thinks first of the author’s religious propensities. Given the fact that Emily Dickinson throughout her writing career tended to use the prosody of the hymnal stanza, her use of words and ideas associated with hymns—all kinds of praises to God—would be almost automatic. In her case, however, Dickins
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