Titlebook: Embodying Difference; Critical Phenomenolo Simon Dickel Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

Gratuitous

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https://doi.org/10.1007/978-3-662-08759-6ving as one of the only black persons in the Swiss city of Bern during the 1950s and 1960s. Resonating with James Baldwin’s essay “Stranger in the Village” (1953) and with the phenomenological debates of the 1950s and 1960s, Carter points out the effects of the white racist gaze on his bodily experi

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https://doi.org/10.1007/978-3-322-92766-8om the outside world. This chapter offers a reading through the lens of Didier Eribon’s . (2004), a theory of gay embodiment and sexual habitus. Armistead Maupin’s novel . (1993) depicts a similar situation of forced hiding and invisibility. Loosely based on the biography of Tamara De Treaux, an act

recession

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978-3-030-90109-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

Climate

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Simon DickelRelates the emerging field of critical phenomenology to literary and cultural studies.Negotiates between post-structuralism and phenomenology.Addresses the role of the body and lived experience in tex

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https://doi.org/10.1007/978-3-8351-9022-1 and related to three narrative films, Guy Green’s A Patch of Blue (1965), Jim Jarmusch’s Night on Earth (1991), and Sheri Hagen’s Auf den Zweiten Blick (2012). All of them address what Linda Martín Alcoff calls “racial seeing” by organizing their narratives around the relation between blindness and blackness.

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