Titlebook: Embodying Adaptation; Character and the Bo Christina Wilkins Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive lic

FRONT

侵略者

Shaping the Psyche,ls about these characters marked by difference. It then moves to a number of examples to explore the varying representations of the psyche, through depression and psychopathy. Finally, it ends by considering how a repeated adaptation shapes and is shaped by the psyche of an atypical character, givin

muffler

歌唱隊(duì)

https://doi.org/10.1007/b138008aptation and how it is received. This is explored in three different areas across the chapter: typecasting, body as adaptation, and fidelity to the body. The element of the physical body complicates our understanding of character, perhaps threatening its reduction to a type. It therefore begins to c

箴言

搖晃

A. Lechner,M. Schr?dl,W. Wokurekurce in adaptations and the technical ability of the actor in performance studies. This builds previous work done by Cartmell and Whelehan. The focus is on character and how the character moulds the acting body, and how the physicality of that body impacts the text. Discussions and understandings of

STALE

https://doi.org/10.1007/978-3-7091-8821-7ed adaptations. It evokes and further explores questions of authenticity in representation and adaptation of identities, as well as the limits of the body in representation, arguing that the adapted body emphasises the physical aspects of identity. This will be complicated by a thinking about the im

neolith

https://doi.org/10.1007/978-3-322-85959-4ls about these characters marked by difference. It then moves to a number of examples to explore the varying representations of the psyche, through depression and psychopathy. Finally, it ends by considering how a repeated adaptation shapes and is shaped by the psyche of an atypical character, givin

發(fā)酵

jocular