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Titlebook: Elizabeth Bowen; A Literary Life Patricia Laurence Book 20191st edition The Editor(s) (if applicable) and The Author(s), under exclusive li

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發(fā)表于 2025-3-21 18:01:06 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Elizabeth Bowen
副標(biāo)題A Literary Life
編輯Patricia Laurence
視頻videohttp://file.papertrans.cn/308/307734/307734.mp4
概述Draws on Bowen’s letters to friends and fellow intellectuals like Isaiah Berlin and writers like Virginia Woolf and Eudora Welty.Delves into Bowen’s espionage for the British Ministry of Information i
叢書名稱Literary Lives
圖書封面Titlebook: Elizabeth Bowen; A Literary Life Patricia Laurence Book 20191st edition The Editor(s) (if applicable) and The Author(s), under exclusive li
描述.Elizabeth Bowen: A Literary Life. reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmo
出版日期Book 20191st edition
關(guān)鍵詞Elizabeth Bowen; Irish woman writer; public intellectual; World War II; the Cold War; British Ministry of
版次1
doihttps://doi.org/10.1007/978-3-030-26415-4
isbn_ebook978-3-030-26415-4Series ISSN 2946-2037 Series E-ISSN 2946-2045
issn_series 2946-2037
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 20:32:33 | 只看該作者
Change,ingly grounded in prominent ascendancy families and traditions—the “mad” Bowens and the “sane” Colleys, described here—she has early feelings of dislocation. Moving from homes in Chichester to Folkstone to Sandgate to Hythe—she has an itinerant education, develops a stammer, and suffers her mother’s
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發(fā)表于 2025-3-22 03:53:45 | 只看該作者
Terrains of the Imagination,f Bowen’s personality and terrains of her imagination. Bowen’s Court, the family estate with its rituals and conventions, is focused upon as a centerpiece of her emotional life, and the house, her experiences there, its sale, and its demise are described. Her travel away from Ireland to the more car
地板
發(fā)表于 2025-3-22 07:14:37 | 只看該作者
Outsiders,d relationships. She spends a year in art school in London, begins writing, and after marriage to Allen Cameron, an educational administrator, publishes a collection of short stories, . and her first novel, .. Living in Oxford, she meets an impressive group of left-wing intellectual and writers in t
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發(fā)表于 2025-3-23 01:34:02 | 只看該作者
Reading Backwards,f Bowen’s literary friendships with Virginia Woolf, Rosamond Lehmann, and Eudora Welty are highlighted as well as other admired English, Irish, and European writers from the eighteenth to the twentieth century. Bowen’s commitment to women as a group in her little-known work for the Women’s Institute
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發(fā)表于 2025-3-23 06:36:58 | 只看該作者
Late Life Collage,ly in America during this period, traveled to the American Academy in Rome to finish ., completed ., and traveled around England and Scotland for the British Royal Commission on Capital Punishment. Her conservative political values are discussed as well as her late friendships with the writer and mu
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