Titlebook: Elizabeth Bishop‘s World War II - Cold War View; Camille Roman Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 20th c

opinionated

https://doi.org/10.1007/978-3-662-32798-2e photo as well as the unhappy woman writing “worst year” so far in the private journal? In order to identify and understand these various “versions” of Bishop, we must resituate her in World War II-Cold War victory culture.

Ligament

打谷工具

Book 2001reshaped by this study‘s unique ability to easily move back and forth between a wide-ranging cultural critique of mid-twentieth-century America and a careful, close, and chronological reading of the poet. Roman‘s study is ideal for students of American poetry, contemporary poetry, and American literature.

騷動(dòng)

Book 2001‘s national, cultural, and literary politics during the World War II-Cold War period is finally brought into sharp focus as the book traces her life and writing from the war years spent in Key West through her tenure as the 1949-1950 national poet laureate. Our understanding of Bishop is completely

模范

Intact

labile

https://doi.org/10.1007/978-3-642-91382-2news magazine . reported an example of this emerging dominant national discourse in its May 29, 1950, issue as it quoted a government spokesman on Cold War “containment” policy in its news report, “The Nation: The Good War”:

HPA533

一個(gè)攪動(dòng)不安

Obstruction

,From a Poet’s Window: Washington, 1949–1950,news magazine . reported an example of this emerging dominant national discourse in its May 29, 1950, issue as it quoted a government spokesman on Cold War “containment” policy in its news report, “The Nation: The Good War”: