Titlebook: Elizabeth Barrett Browning; Marjorie Stone Textbook 1995Latest edition Macmillan Publishers Limited 1995 gender.poet.Romanticism

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,Juno’s Cream: , and Victorian Sage Discourse,ity as both woman and poet. The ‘Book’ Aurora alludes to in this pivotal passage is Revelation, the Biblical book most frequently invoked in . as in Emily Dickinson’s poetry and H.D.’s .. The ‘dropped star’ is the ‘great star from heaven’ called Wormwood that flames down ‘burning as it were a lamp’

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,A Handmaid’s Tale: The Critical Heritage,itle of one well-known series. Like literary histories in general, such collections and surveys do not record the responses of the culturally marginalized. Nor do they include responses expressed in pyschological and social transformations rather than in writing. Ironically, however, the socially ma

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A Cinderella Among the Muses: Barrett Browning and the Ballad Tradition, Every student of Romantic poetry recognizes the profound significance of the ballad revival, reflected in Bishop Percy’s . (1765), in Sir Walter Scott’s ‘minstrelsy’, and above all in the . published by Wordsworth and Coleridge in 1798.

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,Juno’s Cream: , and Victorian Sage Discourse,to embitter a third part of the earth’s waters in the final Judgment (Revelation 8). In Aurora’s book, however, this ominous star primarily signifies not God’s wrath, but the destructive power of the woman artist who abandons her vocation for the material security of marriage.

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Textbook 1995Latest editionmajor woman poet. Marjorie Stone resituates Elizabeth Barrett Browning in her cultural context, demonstrating her prominence in nineteenth-century literary history and Victorian feminist discourse. Close readings illuminate the rich intertextuality of Barrett Browning‘s works, her revisions of the R