Titlebook: Elements of Art Historiography in Medieval Texts; an analytic study E. F. Grinten Book 1969 Martinus Nijhoff / The Hague 1969 Middle Ages.M

平

cartilage

interrupt

Soliloquy

勤勞

軟膏

Seeing and Describing Works of Art,by the author himself or on communications and descriptions from contemporaries or older authors. The use of words like ., . or . is often to be regarded as a somewhat careless way of expression rather than an indication of a direct rendering of a real observation.

異端邪說(shuō)下

Approaches of the Concept of Style,ular work of art and adding a substantive, was the only one known. The most common substantives are: . and .. The practice of using substantives derived from adjectives such as gothicism, impressionism, classicism, to indicate movements or periods, was completely unknown.

GREG

,The Concepts “Old” and “New”,e derivations. It is remarkable however, that in descriptions what is new or renewed receives the most attention, although writers like Suger and Gervase also show great respect for the past. The chronology is strongly dependent on local circumstances and particularly on the succession of abbots, popes, feudal lords and kings.

游行

arboretum