Titlebook: Electronic Visualisation in Arts and Culture; Jonathan P. Bowen,Suzanne Keene,Kia Ng Book 2013 The Editor(s) (if applicable) and The Autho

nautical

Photocaligraphy: Writing Sign Languageyntax), it needs a writing system of its own. Despite a few attempts, no clear writing system for sign language has emerged. The work we present in this chapter constitutes a contribution to its formation through a graphic design approach. Our hypothesis is as follows: in its execution, the gestural

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Legal Networks: Visualising the Violence of the Lawand its malleability in digital form make the internet an effective site for the technique. Art online that employs data visualisation is commonly approached in terms of the understanding that the data may bring and its aesthetic appeal. However, I propose that the impact of a work may also be engag

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Face, Portrait, Mask: Using a Parameterised System to Explore Synthetic Face Spaceerly or even iconified, in both depiction and movement. These systems are beginning to allow artists, scientists and scholars to explore the notion of “face space”, whether as a realistic emotive character, an artistic portrait or symbolic facial mask, in new ways that give a deeper understanding of

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https://doi.org/10.1007/978-981-10-8447-8nternationally. The EVA London Conference was born in the pre-web age. Its precursors lay in early work in architecture and engineering and work on colour change analysis in major museums. The EVA conferences were initiated from the European Commission funded research project, VASARI. For many years

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Current Mitigation Practices in the EU, for computer analysis. We have been through this entire path for text, the easiest material to digitise, and we are now fairly far along with artistic imagery. More difficult content, such as costume and dance, will move through the same stages in the future. Perhaps the most important question is

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Myofibrils

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Disrupting Initial Assumptions,rvive any longer than the artefact that has been copied. Curators have centuries of experience in the conservation of paper and pigments, but there are many unpredictable factors in the preservation of digital archives, which implies digital storage and data migration hundreds of years into the futu

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