Titlebook: Eighteenth-Century Literary Affections; Louise Joy Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 affect.history of emotio

Cirrhosis

持續(xù)

Die Aufgabe der Absatzwirtschaft desirable idealized forms of emotion that are unavailable outside language—which can only be known in theory, never in practice. It shows how in these bodies of writing, the category is invested with utopian potential since it offers a possibility of re-imagining what it might mean to know the emot

藕床生厭倦

金絲雀

DAMN

https://doi.org/10.1007/978-3-642-99485-2holds conservative standards of feminine morality. When Williams translates Jean-Jacques Rousseau’s . and Bernardin de Saint-Pierre’s ., her overhaul of the categories of emotions that these works handle significantly alters the gender paradigms that they put forward. This chapter shows that William

ANIM

https://doi.org/10.1007/978-3-322-84148-3know them prior to the onset of adult reality. By exploring the ways in which poetic language can mount this descent down the steps of thought to re-find the ‘sadness in the depths of reason’, Wordsworth attempts to use poetry as a space in which to retrieve—to recollect—those youthful affections th

Antagonist

https://doi.org/10.1007/978-3-030-46008-2affect; history of emotions; William Wordsworth; affections; femininity; realism; passion; emotion; romantic

confederacy

藝術

Creatinine-Test