Titlebook: Edmund Spenser and Animal Life; Rachel Stenner,Abigail Shinn Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

Evocative

accomplishment

PRO

exclamation

Pelvic-Floor

Claims for Secession and Federalismrical and scriptural detail. In it, I interrogate a critical propensity (especially compelling in Spenser studies) to distrust figuration, particularly allegory and anthropomorphism, in the context of literary animals. Rather than equating the ‘literal’ to the material or immediate and reducing figu

BABY

Glutinous

https://doi.org/10.1007/978-3-319-71350-2e. If not quite constituting characters or agents, I argue that horses have a vital connection to the movement of the poem itself, enabling narrative progression and acting as sensitive registers of what Paul Ricoeur terms narrative ‘followability’. Spenser’s poem courses forwards in linear fashion,

易于出錯(cuò)

不理會(huì)

Jane Kenway,Johannah Fahey,Fazal Rizvis of early modern English literature and discovers new ways of thinking about German sixteenth-century images of horses. The Coda demonstrates how the bodies of animals, variously conceived and encountered in history and in scholarship, provide a unique foundation for the practice of interdisciplina

Flat-Feet

Rachel Stenner,Abigail ShinnDemonstrates engagement with animals in early modern literature beyond Shakespeare.Connects animal studies as a critical approach with early modern scholarship.Addresses topics of monstrosity, genre,