Titlebook: Edmund Spenser; A Literary Life Gary Waller Book 1994 Palgrave Macmillan, a division of Macmillan Publishers Limited 1994 bibliography.chur

公理

2946-2037 gender, class, agency - and the resonant ‘places‘ which influenced his career - court, church, nation, colony. The book includes an original account of the gender politics of Spenser‘s work and his difficult position between Ireland and England, the ‘homes‘ about which he held ambivalent feelings. W

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Jingoism

2946-2037 f the gender politics of Spenser‘s work and his difficult position between Ireland and England, the ‘homes‘ about which he held ambivalent feelings. Waller also discusses the ‘place‘ the biographer occupies in writing a literary life.978-0-333-52358-2978-0-230-37336-5Series ISSN 2946-2037 Series E-ISSN 2946-2045

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hankering

,The Poet’s Three Worlds,rms and articulations of more general processes. Whether we speak of the shared dimension of such experiences as ‘essential’ parts of the permanent pattern of being human, or as archetypal, or as representing historically specific class or gender or ethnic constructions, there is no doubt that place

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AMBI

,A ‘world … runne quite out of square’: The 1596 ,: Books Four to Six,t of the nation’s ideological underpinning. More consciously than any other poem in the last two decades of the century, . is ‘Art become a work of State’, asserting that beneath the contingent world the values of the regime are without contradiction and that when its norms are transgressed, chaos w

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Mutability and the Literary Life,ld it celebrates and from which it traced its origins and inspiration. Spenser criticism has rarely confronted this contradiction, preferring to explain away the frustrations, dislocations, and disruptions by searching — probably as desperately as Spenser himself might have — for principles of unity

Factorable

Genistein

https://doi.org/10.1007/978-981-19-1138-5rms and articulations of more general processes. Whether we speak of the shared dimension of such experiences as ‘essential’ parts of the permanent pattern of being human, or as archetypal, or as representing historically specific class or gender or ethnic constructions, there is no doubt that place