Titlebook: Edith Wharton and the Conversations of Literary Modernism; Jennifer Haytock Book 2008 Jennifer Haytock 2008 impressionism.media.Modernism.

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Edith Wharton and the Conversations of Literary Modernism

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G. Gerken,K.-H. Meyer zum Büschenfeldeew forms. From Henry James to James Joyce to William Faulkner, authors found that the “impression” corresponded usefully to the psychological processes they hoped to capture in words. Ezra Pound’s editing of T. S. Eliot’s . produced a poem without transitions that required readers to fill in the gap

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https://doi.org/10.1007/978-3-642-74316-0inition, a writer such as Edith Wharton was excluded from the elite club of artists. She herself did not define an artist in this way, however, and her stridency against modernism no doubt comes in part from her anger at what she saw as an idealistic, misogynist, misanthropic, and extremely narrow d

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,Antimodernism and Looking Pretty: Wharton’s Artistic Practice,inition, a writer such as Edith Wharton was excluded from the elite club of artists. She herself did not define an artist in this way, however, and her stridency against modernism no doubt comes in part from her anger at what she saw as an idealistic, misogynist, misanthropic, and extremely narrow d

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