Titlebook: Edith Cavell and her Legend; Christine E. Hallett Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 nursing history.women‘s h

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harmony

Legend,atue, in St Martin’s Place, London. Two significant film dramatisations were produced, both directed by Herbert Wilcox: . in 1927 and . in 1939. Both caused controversy, with . being—at first—refused a certificate by the British Board of Film Censors. Cavell was also commemorated as a “l(fā)egendary her

門窗的側(cè)柱

Conclusion,ressed the belief that “patriotism was not enough”, and stated that she wished to be remembered as a nurse who “did her duty”. The Conclusion ends by reflecting on the “audacity of commemoration” and the “impossibility of history”.

alliance

Pandemic

,Ist ?, Führung“ eine Glaubensfrage?,atue, in St Martin’s Place, London. Two significant film dramatisations were produced, both directed by Herbert Wilcox: . in 1927 and . in 1939. Both caused controversy, with . being—at first—refused a certificate by the British Board of Film Censors. Cavell was also commemorated as a “l(fā)egendary her

hegemony

https://doi.org/10.1057/978-1-137-52364-8ressed the belief that “patriotism was not enough”, and stated that she wished to be remembered as a nurse who “did her duty”. The Conclusion ends by reflecting on the “audacity of commemoration” and the “impossibility of history”.

hegemony

objection

Book 2019nd artists.? Cavell was first introduced to the British public through a series of Foreign Office statements which claimed to establish the “facts” of her case.? Her own voice, along with those of her family, colleagues and friends, were muted, as a monolithic image of a national heroine and martyr

Mosaic

Book 2019tions and the simplicity of the “Cavell Legend” that was constructed around her; and, secondly, the mismatch between the attempts of individuals and professional organisations to commemorate her life and work, and the public construction of a “heroine” who could be of value to the nation state.? ?

BARK

,Die ungekr?nte Herrscherin Roms,ations and the simplicity of the “l(fā)egend” that was constructed around her is highlighted. And the attempts of individuals and professional organisations to commemorate her life and work are contrasted with the public construction of a “heroine” who could be of value to the nation state.