Titlebook: Economic Perspectives on Cultural Heritage; Michael Hutter,Ilde Rizzo (Professor of Public Fin Book 1997 Palgrave Macmillan, a division of

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Towards a European Market for Arts and Culture Goods: Some Proposalspossibility of removing the obstacles to a truly integrated European market (an E market). They demonstrate that in most European countries higher education is supplied by state institutions, their personnel being really bureaucrats, and competition is hindered by strict nationwide regulations. As t

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https://doi.org/10.1007/978-1-4302-1923-1f economic science. There had been, to be sure, several isolated contributions by economists.. But as of today, there is no consistent body of literature to set the context. Such is to be expected when a new subject begins to attract professional attention. Given this starting point, the conference

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https://doi.org/10.1007/978-1-4302-4624-4rks of art, or whatever else, has long been a matter that has lain beyond the reach or interest of economics. Decisions as to what should be characterized as heritage, how much of it is worth keeping, and how resources should be utilized in maintaining it, have been largely the province of experts:

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Introducing JavaServer Pages and Tomcat,ning the stock and hindering its dilapidation and worsening. Keeping up the stock creates opportunity cost as the resources involved (labour and material inputs, and in the case of historic monuments especially the sites) could be used for alternative purposes. Current funds are needed to repair and

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https://doi.org/10.1007/978-1-4302-0693-4ot be addressed here. This chapter will not give an in-depth analysis of the costs and benefits that arise from inherited works of art and architecture, from the preservation of knowledge about a society and its history for future generations, or from a set of shared norms and ideals that are essent

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Getting a Jakarta EE Server to Work, to be saved at all expense. Such is the hallmark of modern life. Perspectives differ, values diverge. The value of cultural heritage is in the eye of the beholder. The question posed by this chapter is how economists are to behold the phenomenon.

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The Object and Objects Classes,storian. First of all my stimulation originates from my encounter with the work of Sir Alan Peacock, presented at the Symposium (Peacock, in this volume). Because I am concerned with the Japanese cultural heritage, I have also been stimulated by the work of the late Yukio Yashiro (Yashiro, 1987). As

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