Titlebook: Ecofeminist Approaches to Early Modernity; Jennifer Munroe,Rebecca Laroche Book 2011 Jennifer Munroe and Rebecca Laroche 2011 dialogue.Ear

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“Goeing a broad to gather and worke the flowers”: The Domestic Geography of Elizabeth Isham’s its.. Just as Mary Rich achieves her closest communion with nature in a cultivated part of her husband’s land that is nonetheless dubbed her “wilderness,” Isham, we shall see, describes her earliest considerations of nature as unfolding in what seems her greatest isolation from it, in the innermost

思考才皺眉

The Secrets of Grafting in Wroth’s gardeners instructed to regard bark as a surface fit to receive the alphabetic “l(fā)etters” made with sharp-edged tools but this integument also comprised and encased the early modern codex, whose etymological roots we trace back to the tree’s trunk. We graft, then, to illuminate the rich poetic conten

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Language “l(fā)ike a thousand little stars on the trees and on the grass”: Environmental inscription in re, and literature,. while resistant to the inscriptions and the signs of intelligibility that Bell and her friends make in order to textually and cognitively process the world around them. The language of the fireflies’ bodies “sparkling like a thousand little stars on the trees and on the grass” s

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Interkulturelle ?ffnung der Pflegeberatungy, and for Boyle, the vehicle for an ideal of experimental proof and of dominion over nature. Rich speaks “for” her mouse, while Boyle hardly thinks of mice and speaking in the same breath. The mouse, halfway between material and metaphor, stands “as a telling index of the gender politics that infor

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,Pr?ventive Vermeidung von Altersarmut,my view, some of Merchant’s and, more recently, Sylvia Bowerbank’s arguments limit our understanding of the range of seventeenth-century women’s experience. In ., Merchant argues for an inherent association between the degradation of the environment and the treatment of women: “The ancient identity

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Music and Politics, a Utopian Narrative,re, and literature,. while resistant to the inscriptions and the signs of intelligibility that Bell and her friends make in order to textually and cognitively process the world around them. The language of the fireflies’ bodies “sparkling like a thousand little stars on the trees and on the grass” s

Antarctic

Afterworde of nature is to speak powerfully.”. Bowerbank’s shifting our attention to . speech was a key strategy in advancing ecofeminism, but it begs another set of questions: what does it mean to “speak for” something? Is that the same as speaking “in the name” of nature? And why “speaking” at all?