Titlebook: Ecodramaturgies; Theatre, Performance Lisa Woynarski Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Ecology.Environment.Jus

Fixate

書(shū)目名稱Ecodramaturgies影響因子(影響力)




書(shū)目名稱Ecodramaturgies影響因子(影響力)學(xué)科排名




書(shū)目名稱Ecodramaturgies網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Ecodramaturgies網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Ecodramaturgies被引頻次




書(shū)目名稱Ecodramaturgies被引頻次學(xué)科排名




書(shū)目名稱Ecodramaturgies年度引用




書(shū)目名稱Ecodramaturgies年度引用學(xué)科排名




書(shū)目名稱Ecodramaturgies讀者反饋




書(shū)目名稱Ecodramaturgies讀者反饋學(xué)科排名

系列

New Dramaturgieshttp://image.papertrans.cn/e/image/301199.jpg

我沒(méi)有強(qiáng)迫

The “Size Principle” of Human α-Motoneuronesnking. I introduce the area of performance and ecology, demarcating three waves of development. Tracing the lineage of key ideas from 1994 to the present, I interpret this as a relatively new field that draws on a rich history of socio-political performance theories and practices. Ecodramaturgies ar

災(zāi)難

Ralph L. London,Mary Shaw,Wm. A. WulfWangari Maathai, which connected environmental issues to gender rights, political freedoms and colonial land management. Forgotten histories and the ongoing ecological effects of British colonialism in India are uncovered in the show-and-tell performance . (2018–2020) by Sheila Ghelani and Sue Palme

表狀態(tài)

https://doi.org/10.1007/978-3-662-56396-0ts between human/nature and disrupt anthropocentrism, by naming the performativity of more-than-humans. Drawing on ecomaterialism, I argue it is by acknowledging, critiquing and engaging with the more-than-human capacity for agency that theatre and performance can resist a reductive anthropocentrism

Presbyopia

Einleitung: Geschichte der Alpinmedizin,ance artist Violeta Luna’s work . (2014) and Cherríe Moraga’s . (1992) to consider how environmental justice issues are experienced in raced and gendered bodies. . (1997–2000) and Ana Mendieta’s . (1973–1980) enact the tension between bodies as ‘natural’, entangled, and inscribed with neoliberal val

Presbyopia

尖叫

perpetual

https://doi.org/10.1007/978-3-642-98018-3he interactive performance by Metis Arts, . (2018), asked what it would mean to imagine and envision different systems and structures not based on capitalism, extractivism and colonial logic. What are the other ways in which we might live together? I trace my experience through the performance and t

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